As I get older, I've become
much more discerning about the culture I digest. I'm 37 years old and I have a
family, a job and hobbies. I can't read, listen and watch everything (unless
someone pays me to do so). With the seemingly bottomless amount of culture out
there to peruse, you have to set parameters lest you drown in the tsunami of
books, music, television and film that comes out every year. So I've become a
bit picky with my culture. I maintain a strict diet of nutritious culture (a
term I have not yet had time to define, but I'm hoping strikes a chord enough
so that you know what I'm talking about) and try to avoid junk culture (i.e.
reality television, nonsensical Hollywood blockbusters, radio-friendly pop
music and bad YA fiction). I do this by asking myself before hand: "will
anyone remember this in 5-10 years?" If the answer is yes, then I'll give
it a shot.
Some might call me a snob,
and that's fine. I have no problem with that. A snob, with all its negative
connotations, implies someone who is judicious and shrewd in their choices and
life is too short to waste on things covered by Perez Hilton and TMZ. In fact,
whenever I hear someone invoke those terms (along with others including but not
limited to Paris Hilton, Dancing with the Stars, The Bachleor, Twilight and any
television show that ends in the word "Wars") I instantly think less
of their culture choices and will think carefully about following up on
anything they recommend. Harsh, I know, but like I said... I'm not interested in
wasting my time on crap.
Which is why my lifelong love
affair with glam metal makes almost zero sense. Glam metal is the very
definition of junk culture. Glam metal from the 1980s is formulaic rock at its
worst. If you don't believe me, go listen to every album ever recorded by
Poison, Warrant, Extreme and Whitesnake and get back to me. Bet you don't get
past Cherry Pie.
Oh sure, my musical tastes
have expanded over the years to incorporate everything from Bluegrass
to African music to minimalist techno (I even own a copy of Trout Mask Replica, though I admit that
I don't get it). But come Saturday night when a couple of beers have lubricated
my sense of decency I like nothing else but to crank up Cinderella, Ratt or my
all-time personal favorite: Motley Crue.
Full disclosure: Motley
Crue's Shout at the Devil was the
very first album I ever owned, and I owned it on vinyl (yeah, I'm that cool). I
got it for my 8th birthday and I played the living shit out of that record for
years. I remember that the album was all matte black with a glossy black
pentagram on the front (I still cannot believe that my mother bought it for an
8 year-old). The album folded out to reveal the four members of the band. I
knew they were all men because their names where men's names, but they sure
looked like girls. But holy fuck did they look cool with all that leather and
metal. I wanted desperately to be that cool. And of all the guys in the band,
it was Nikki Sixx I wanted to be.
Even after I discovered
Nirvana and moved on, I have remained a Motley Crue fan my entire life. I
wrestle with this because despite their reputation as the dirtiest, nastiest,
most reviled band in a dirty, nasty and reviled style of music (metal) and
their perceived place as noting more than a musical sideshow (Vince Neil and
Tommy Lee's foray into the realm of reality television didn't help matters) I
still, to this day, believe that they have a canonical place in the history of
music, and I'll fight anyone who says otherwise. OK, sure, they aren't the best
musicians and their music is uneven but they defined what a band should look
and act. Motley Crue personified
metal. They were everything. And the reason for this was Nikki Sixx. Without
Sixx, Motley Crue was simply Ratt, The Scorpions or (good God!) Dangerous Toys.
Sixx, the bassist and primary songwriter in Motley Crue, was the man who
brought the band together and was the driving force behind this rise to
stardom. He seemed to drag the band, whose exploits seemed to indicate an
ambivalence to fame and fortune, kicking and screaming into the limelight and
held them there even while his physical, personal and psychological life
crumbled.
![]() |
| Nikki Sixx |
The Heroin Diaries is essentially Sixx's diaries from Christmas 1986 through Christmas
1987 which coincides with the recording of Girls,
Girls, Girls (Motley's sleaziest album by far), the subsequent tour and the
worst days of Sixx's addiction and depression. It's a diary, and one written by
a guy who was either freebasing or recovering from a night of freebasing almost
300 of those 365 days so I'm not really going to discuss the caliber of the
writing. It was a personal journal for God sakes. The subject matter however,
is dark, repetitive and downright scary. The
Heroin Diaries takes you into the deepest recesses of six's mind at a time
when he himself thought he was losing it. As an added bonus, there is
commentary from the primary players (Nikki, his bandmates, various record
execs, friends, family and his then girlfriend, Vanity) after most of the
entries to provide context.
I know that rock and roll
biographies and autobiographies always seem so indistinguishable one from the
next what with their expectedly lurid tales of sexual and narcotic
one-upmanship but this one is different in that it was written first hand and
largely under the influence of the substances that musicians tend to glorify
once they sober up and look back. The
Heroin Diaries deserves recognition for its brutal honesty, not about music
or the industry but rather about Sixx himself and the way in which he deals
with his addictions day in and day out (and the way in which he hides his
addictions). It is the most candid look into the psychotic mind of a junkie
that I have ever read (this includes Naked
Lunch and Fear and Loathing in Las
Vegas).
One thing, however, troubled
me about The Heroin Diaries. It's a
shame that either the publisher (MTV Books?) or Sixx himself thought so little
of these diaries that they were packaged as a full color book with photos and
graphics on every page. The paper itself is magazine glossy and the entire
package unfortunately takes away from the gravity of subject matter. These are
the intensely personal ramblings of a rock and roll junkie and deserved better
than a pseudo-magazine. I would have liked to have seen this published
correctly, by a more literary press who might have given the diaries the
treatment they deserved as an insight into the mind of a rock and roll junkie
and as a piece of pop culture history.
Motley Crue may look the part
of junk culture, but they most certainly are not. It's high time we all owned
up to the fact that they played an important role in the evolution of rock and
roll, glam and metal and stop selling them short by taking their output and
treating it like an article in Metal Edge
Magazine. Nikki Sixx may not be a musical genius but he's done enough by
now to garner some serious respect.
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About the Reviewer: Ryan is a Canadian citizen lost somewhere
in Asia , which is a terrible place to be lost
if you like reading English books. He gets by via second hand book stores
and his Kindle. If given the choice (though he rarely is) he prefers
literary fiction and non-fiction. Oh yeah... and zombies. Ryan has
been an avid reader of zombie lore for over 20 years. That's either
awesome or utterly sad. You can choose. And if you want to see what
else Ryan has been reading, you can visit his personal blog, Reading
in Taiwan.




This sounds interesting. I read The Dirt by Motley Crue and found it crazy, fast paced and totally entertaining. I like Hollywood memoirs that are brutally honest. This surely doesn't sound like it needs to be printed on glossy paper though.
ReplyDeleteGreat review.